J.S. BACHs genius is universally revered by music lovers, and a significant part of his output was in transcriptions of his own work, a tradition kept alive in Eleonor Bindmans piano versions of the Six Suites for Solo Cello. Bindman has avoided embellishing these iconic pieces, preserving the intriguing ambiguities in Bachs implied harmonies and savouring their expressive qualities through the baritone register of a marvellous Bösendorfer piano. These admirably accurate transcriptions reveal the mysterious mathematical grace and flexibility of structure that makes Bachs art so organic and eternal.