Chopin: Piano Concertos Nos. 1 & 2 (Shura Cherkassky) (ICA Classics: ICAC 5085)

Shura Cherkassky (1909 1995) enjoyed a long career of over seventy years, rising to the forefront of internationally acclaimed concert pianists, first in America (where his family emigrated to escape the Russian Revolution), and after 1961 in London, where he lived until his death in 1995.A pupil of the legendary Josef Hofmann at the Curtis Institute in Philadelphia, Cherkassky made his concert debut in Baltimore at the age of eleven, touring Australia and South Africa in 1925, and thereafter building up what was almost an obsession for foreign travel as he satisfied an incessant demand for festival appearances, solo and concerto recitals. He moved to California in the 1940s, appearing at the Hollywood Bowl with Sir John Barbirolli and Leopold Stokowski, and after the war, he developed his second, European career, scoring an outstanding success in Hamburg in 1946 and in London, following his acclaimed Wigmore Hall recital in March 1957ough he had an enormous repertoire stretching from Bach to Berio, the highpoints of Cherkassky’s career for many remain his interpretations of the concertos of fellow Russian composers like Tchaikovsky and Rachmaninov, and he is now classed alongside Horowitz and Rubinstein as a legendary and sensitive re-interpreter of the nineteenth-century Romantic repertorykassky’s phenomenal virtuosity, colour range, imagination and spontaneity made him the ideal Chopin interpreter, though he never commercially recorded the two Chopin Concertos, so this is an important addition to his CD discographye live performances from the 1980s present Cherkassky at his most spontaneous and charismatic. As Robert Orledge has written in his booklet notes, “but if purists may now view some of his interpretations as idiosyncratic, there is still no denying that we are in the presence of a first-rate musician who understood better than many pianists what Chopin’s harmony and voice-leading were about, and who could make what are early works sound like monuments to his mature genius.”
This is vintage Cherkassky; playing to charm the birds out of the trees. –Gramophone, March’13